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c. 1445 – May 17, 1510. Italian painter.

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Francois Pascal Simon Gerard
Portrait of la duchesse de Berry et ses enfants

ID: 78021

Francois Pascal Simon Gerard Portrait of la duchesse de Berry et ses enfants
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Francois Pascal Simon Gerard Portrait of la duchesse de Berry et ses enfants


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Francois Pascal Simon Gerard

12 March 1770 - 11 January 1837) was a French painter born in Rome, where his father occupied a post in the house of the French ambassador. His mother was Italian. As a baron of the Empire he is sometimes referred to as Baron Gerard.  Related Paintings of Francois Pascal Simon Gerard :. | Portrait de la marechale Lannes et ses enfants | Portrait of Marie Louise of Austria, Empress of French | Portrat des Joachim Murat | Portrait of Louis XVIII | Portrait of la duchesse de Berry et ses enfants |
Related Artists:
georg pauli
1855-1935, youths bathing, 1914 nationalmuseum
Theodule Ribot
Saint-Nicolas-d'Attez, 1823-Colombes 1891. was a French realist painter. He was born in Saint-Nicolas-d'Attez, and studied at the École des Arts et Metiers de Chalons before moving to Paris in 1845. There he found work decorating gilded frames for a mirror manufacturer; he also studied in the studio of Auguste-Barth??l??my Glaize. After a trip to Algeria around 1848, he returned in 1851 to Paris, where he continued to make his living as an artisan. In the late 1850s, working at night by lamplight, he began to paint seriously, depicting everyday subjects in a realistic style. He made his Salon debut in 1861 with several paintings of kitchen subjects. Collectors purchased the works, and his paintings in the Salons of 1864 and 1865 were awarded medals. Ribot painted domestic genre works, still-lifes, portraits, and religious scenes. His preference was for painting directly from nature, emphasizing the contrasts of light and dark. His use of chiaroscuro to suggest psychological states grew from his admiration for Spanish and Dutch baroque masters such as Ribera and Rembrandt, an enthusiasm shared by his contemporaries Courbet and Bonvin. Members of Ribot's family are the likely models for many of his figure compositions, in which the subjects engage in humble activities, such as preparing meals or gathering in groups to read to each other. The light draws attention to faces and hands, which emerge sharply from dimly lit surroundings. Although the realism of Ribot's work aligns him with the most progressive artists of the generation preceding the Impressionists, he was no revolutionary,
Paul Peel
(7 November 1860 - 3 October 1892) was a Canadian academic painter. Having won a medal at the 1890 Paris Salon, he became one of the first Canadian artists to receive international recognition in his lifetime. Peel was born in London, Ontario, and received his art training from his father from a young age. Later he studied under William Lees Judson and at the Pennsylvania Academy of the Fine Arts under Thomas Eakins. He later moved to Paris, France where he received art instruction at the Ecole des Beaux-Arts under Jean-Leon Gerôme and at the Academie Julian under Benjamin Constant, Henri Doucet and Jules Lefebvre. In 1882 he married Isaure Verdier and had two children with her: a son (Robert Andre, in 1886) and a daughter (Emilie Marguerite, in 1888). Peel travelled widely in Canada and in Europe, exhibiting as a member of the Ontario Society of Artists and the Royal Canadian Academy. He also exhibited at international shows like the Paris Salon, where he won a bronze medal in 1890 for his painting After the Bath. He was known for his often sentimental nudes and for his pictures of children.






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